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Wild Man, Gao Xingjian's last publicly performed work in China, is a thought-provoking play that allegorically explores themes of artistic expression, freedom of thought, and the individual's struggle against oppressive regimes. Through the lens of a protagonist resembling Gao himself, the play critiques societal constraints on creativity and the stifling of individuality, striking a resonant chord with audiences in a country often grappling with censorship and limitations on artistic freedom.