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Cinéma du look, a film movement characterized by its visually striking aesthetics, is associated with Luc Besson. This movement emerged in the 1980s and early 1990s, and its films often featured vibrant colors, exaggerated lighting, and rapid editing, creating a visually captivating and stylish experience. Besson's films, such as "Subway" (1985) and "La Femme Nikita" (1990), exemplify this movement's focus on visual impact and stylish filmmaking.