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In'The Bride Stripped Bare', Marcel Duchamp explores the dichotomy of masculine and feminine principles, symbolizing the search for spiritual transcendence and liberation from societal constraints. The work consists of two large glass panels, with the lower one depicting the'bachelors'—a group of nine men—and the upper panel portraying the'bride', represented as a mechanical, skeletal apparatus, emphasizing Duchamp's deconstruction of traditional notions of beauty and identity.