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**Monumental scale characterizes much of Moore's post-war work, seen in sculptures like ‘Reclining Figure’ (1938) and ‘Draped Seated Woman’ (1957-58).** These sculptures often convey ideas about the relationship between the individual and the environment, while exploring abstraction and natural forms. They invite viewers to contemplate themes of time, space, and human presence, inviting a unique interpretation and experience at a personal level.